1. Lehmann Audio Decade

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• Lehmann Decade Phono Preamp; Lehmann Decade Phono. LP Magazine Review of the Lehmann Audio Decade 'A good phono preamp is the endeavour to reconcile a.

PRODUCT SHIPS IN 2-3 BUSINESS DAYS Decade Lehmannaudio will be has built a reputation and unrivalled customer satisfaction on the sound and create high quality of phono levels. The dedicated Decade efficiently floods the difference between the Dark Dice SE II ánd the Lehmannaudio reference point phono stage, the Sterling silver Dice. In the Decade, like in all Lehmannaudio gadgets, top level technology will be used that usually can be found just in price ranges significantly over. The insight stages of the 10 years can furthermore be discovered in top notch combining units and higher class mike preamps of expert studio consumer electronics.

Lehman audio black cube decade Lehmann audio Pre phono. An ambitious phono stage that forges a link between the black cube series and the top-of-the-line. Lehmann Audio Decade Phonostage. Equipment report. Even as the stylus hit the first groove it was obvious Lehmann had done its homework in terms of.

The extremely accurate, passive RIAA equalisation network is positioned between two linear gain stages and utilizes precision MKP capacitors. This outcomes in a extremely stable soundstage duplication and flag stage localisation of devices. The maximum get of 66 dB can be well good enough for even very amazing low output MC ink cartridges. Impedance fill adaption is certainly practically infinite as with aIl Lehmannaudio phono stages: there will be a free of charge slot machine for a custom made impedance so that every existing MC container on the market can become loaded properly. Input capacitances are adjustable as properly. The Decade virtually sends a challenge for a pickup assessment as it carefully sticks by its specs.

- Image Hifi Soft striper roll-off filter and PWX II power offer. The Decade will be the 1st phono phase by Lehmannaudio that offers a 'Soft-Báss- Rolloff-Filter' ánd get selections accessible via toggle switches at the face plate. Both, get and filtration system functions, are usually executed by business quality relais inside the unit. The 10 years is powered by thé PWX II, á strength supply specifically created for the device which is downward compatible with the PWX. This means that Dark Cube audio sections can furthermore be connected.

The second power shop at the PWX II can be made specifically for that purpose. The PWX II power offer with chokes at essential places power the 10 years with really clean DC energy and - like the Silver precious metal Cube - can be connected to the audio area via a shielded wire with Neutrik XLR attaches.

PRODUCT SHIPS IN 2-3 Company DAYS Decade Lehmannaudio will be has built a reputation and unrivalled consumer satisfaction on the audio and create high quality of phono stages. The focused Decade successfully floods the difference between the Dark Cube SE II ánd the Lehmannaudio benchmark phono phase, the Gold Cube. In the Decade, like in all Lehmannaudio products, top level technology is definitely used that usually can be found only in price ranges significantly above.

The input phases of the 10 years can also be discovered in best notch blending units and higher class mike preamps of professional studio electronics. The extremely accurate, passive RIAA equalisation system is placed between two linear gain phases and utilizes precision MKP capacitors. This outcomes in a extremely steady soundstage duplication and flag stage localisation of tools. The optimum get of 66 dB is well more than enough for even very exotic low result MC cartridges.

Impedance fill adaption can be practically unlimited as with aIl Lehmannaudio phono levels: there will be a free slot for a custom impedance so that every present MC cartridge on the market can end up being loaded correctly. Insight capacitances are adjustable simply because nicely. The Decade virtually transmits a problem for a pickup comparison as it meticulously sticks by its specs. - Image Hifi Soft striper roll-off filtration system and PWX II strength offer. The 10 years is usually the very first phono phase by Lehmannaudio that provides a 'Soft-Báss- Rolloff-Filter' ánd gain selections obtainable via toggle buttons at the face plate. Both, get and filtration system functions, are usually performed by studio room grade relais inside the device. The Decade is powered by thé PWX II, á power supply especially developed for the device which will be downward suitable with the PWX.

This indicates that Black Dice audio sections can also be linked. The second power electric outlet at the PWX II can be made especially for that purpose.

The PWX II power source with chokes at critical places power the Decade with quite clear DC strength and - like the Metallic Cube - is certainly connected to the audio area via a protected cable with Neutrik XLR attaches.

And so it had been with thé EMT OFD 25 mono pick up head and CineMag Atmosphere 30 transformer. Without the slightest tip of lighting, the mixture delivered detail with power, consistency with touch. The Atmosphere 30's greatest forcefulness was a level or two beIow that óf my even more expensive research step-up device, the Hommage Testosterone levels2 ($4995), yet in every various other regard the more inexpensive transformer punched well above its weight. With the texturally complex saving, by Atrium Musicaé de Madrid, óf the music of the 13th-century trouvere Thibaut de Navarre (Harmonia Mundi HM 1016)—this time making use of my EMT TSD15 stereo system pickup head—the new trannie offered significantly greater-than-average actual presence and highly textured color to cromornes, vieIles, psalteries, castanets, ánd all way of various other crazy medieval devices.

And throughout that Gemstones cd, the Sky 30 reminded me that Bill Wyman's largemouth bass using, in its timing and its firmness, was frequently the element that produced their audio as interesting and propulsive as it had been. If the CineMag Skies 30 didn't match the very best in conditions of supreme effect, it bowed to no device in its phrase of tonal colors. In the second tableau of Action V of Berlioz't Les Troyens (PhiIips 6709 002, with the late Colin Davis conducting the Noble Opera House Orchestra), the mixture of the Heavens 30 and EMT TSD15 permitted the largemouth bass clarinet to sound beautiful—a wealthy, vibrant, purring type of thing—in a manner that the Hommage Testosterone levels2 didn'testosterone levels nail quite as properly; the Hommage, for its part, spread the extremes of the spectacular variety a little bit wider, and permitted such items as plucked double-bass records to remain out in a manner that eluded the Sky 30. By the method, Frank Sattin provides the, the, the Accuphase Air conditioning-2, and the Koetsu Rosewood Signature among the carts and catomizers with which he tests his gadgets.

That'h a pretty wide range of sounds and specs, also if my EMT OFD-series pickups are not the almost all exemplary of stuff. In all, the CineMag Stones 30 will be downright incredible for much less than a one fourth of the cost of the reference to which I likened it. That mentioned, $1250 can be nevertheless a hell of a stretch for many people—especially beginners to the field of good phonography, whom l would remind thát there exist cheaper recommendable transformers. One of my favorites arrives from KK Audio, the US provider of numerous products from Lundahl, Sweden's machine of uItra-high-quality audió transformers.

Thé KK Simple package, which I composed about in the, markets for simply $325—the price of a Kitón necktie at Barnéy't. The KK Simple can become put together by anyone with at least one attention and a soldering iron; everyone else can buy the constructed version for simply $385.

Both are usually crazy cheap and silly great. The Decade in Evaluation As hinted in current columns, I have got two good reasons for listing, alongside every full evaluation I write, all of the reference point equipment I possess and make use of. First is certainly the typical one, discussed by everyone on staff members: Only by knowing the circumstance in which a product was examined can the viewer fully recognize the observations made by the reviewer. My personal, second reason is almost as compelling: Since both my strategy to the hobby and my play-back system vary somewhat from the nórms for high-énd audio, the supplier with an interest in delivering me something to review would do properly, for everyone's i9000 wellness and pleasure, to note those differences before carrying out to a evaluation.

Put another method: Make sure you wear't send something thát's doomed tó fall short in my system—and don'testosterone levels anticipate me to modify my program merely to keep that from occurring. An unpredicted result of this casual plan: When a provider who actually knows my program persists in offering something thát's outsidé my ease and comfort area, I can't assist asking yourself about the item that could encourage such confidence. So it has been when Louis Dório, of Ortofon USA, wrote to tell me about thé Lehmannaudio phono preampIifiers that his firm now distributes in the Expresses.

I don't remember his accurate words and phrases, but it had been something along the ranges of: No tubes, no transformers—ánd you'll adore the things anyhow. With that, he sent me a small sample of the Lehmannaudio Decade ($2099), a solid-state phono preamplifier from the exact same German business that produced a splash, over 15 years ago, with a phono stage called the Lehmannaudio Black Dice. The Cube received popular compliment for providing four-figure sound at a three-figure price; the 10 years is aimed at a increased niche market. Its higher level of efficiency is said to become a result of corporation owner Norbert Lehmann's experience with pro audio in common, and microphone levels in specific.

The Decade is supplied in two different enclosures of similar dimension—each requires up the exact same room as a conventional package of Fig Newtons—and nearly identical look: one for the energy supply, the various other for the préamp proper. The previous is nicely crammed with a toroidaI transformer, a nicely size heatsink, and a healthful brace of reservoir capacitors. Its top panel will be as ordinary as day time, yet the strength supply's occupied rear screen consists of an IEC outlet, a energy change, and not one but two DC shops—the second apparently optimized for use with previous Lehmannaudio preamps. Thé preamp itself consists of two class-A, zero-feedback get levels per funnel, sandwiched around a unaggressive RIAA equalization phase. The user chooses between moving-magnet (36dC) and moving-coil (56dC) ranges with a front-mounted, small toggle change; another toggle, tagged High, provides another 10dB of gain to whichever variety is selected, and thus offers up to 66dB for ultra-low-output cartridges. A 3rd toggle activates Léhmannaudio's Soft RoIloff Filter, reducing subwoofer-60Hz result at a price of 6dB/octave. Runs of insight capacitance and impedance are usually selected with two banking institutions of Drop fuses on the underside of the preamp—a helpful substitute to having to open up the case time and once again—while two sets of inner sockets enable the consumer to select and install his or her personal launching resistors (not incorporated).

The Lehmannaudio 10 years had been the uncommon component that, on first listen, surprised me—in a good way. Although experience shows me that all MC ink cartridges execute their best with a stép-up transformer ás their initial gain stage, whenever I evaluate an MC phóno preamp, I do at least try out one cartridge right in, without thé transformer, on thé presumption that that's what the designer had in mind (footnote 1).

In this case, I started with my high-óutput EMT TSD 15 pickup mind, and started with part 2 of Dexter Gordon's One Flight Up (Glowing blue Notice/Cisco 84176). That was a hell of a starting location: Art Taylor's drumming appearing almost simply because impactful ás with the CinéMag Stones 30 from Chad's Devices! Perhaps more essential, the Lehmannaudio preamp reproduced the saving with exceptional musical clarity—a quality that was especially significant in the last 16 measures of the primary style of 'Coppin' the Destination,' which Gordon ánd trumpeter DonaId Byrd have fun with in unison.

The Decade sounded absolutely transformer-like in a range of other ways. A good, well-selected transformer has a adequately fast way with transients that the consequences of groove harm are made less audible, and therefore it had been when I played a extremely worn initial duplicate of my preferred version of Elgar's i9000 Enigma Variants, by Sir David Barbirolli and thé Philharmonia Orchestra (EMl ASD 548). The 10 years rendered that report every little bit as listenable as my mixture of Shindo preampIification and Hommage transformér—and nevertheless reproduced even the stoutest kettledrum strokes with enjoyable force.

Important colours and textures, as well, had been believable: With 'Last Train from Bad Area,' from Norman BIake's The Fields of November (Traveling Seafood 004), the Lehmannaudio obtained across the strange beauty of Blake'h plaintive, understated tone of voice—and his great older Martin Chemical-18 flute. Yes, the Léhmannaudio preamp could end up being made also more clearly forceful with the addition of a good transformer. For illustration, with my Hommage Capital t2 in location, it had been less complicated to listen to how Blake inténsifies his strumming ás a kind of emphasis at the end of each vocal singing collection: a loose-wristed boom in place of a G work. Driver downloader license key list. (While using the EMT right in, I acquired the 10 years's fill impedance fixed for 100 ohms, and its MC and high-gain settings both switched on. Later, when reintroducing the Hommage T2 step-up transformer, I reverted to the 47k ohm insert and the MM setting, without additional get.) Still, one could do quite beautifully with just the 10 years. Regarded on its own, the Lehmannaudio can be very easily the most impactful solid-staté phono preamplifier l've ever experienced—and one of the almost all believably dynamic phono preamps of any kind.

Lehmann Audio Decade

A completely impressive item. Footnote 1: Then once again, in the case of certain MM phono preamps, like as the weIl-regarded Lében RS-30EQ, the manufacturer recommends the make use of of a stép-up transformér with MC ink cartridges.